Tapestries are more than just beautiful wall hangings, they’re woven art that served to tell stories in ancient times. The Odyssey and the Iliad were both “told” in woven form as large, rich tapestries. Every period in history has had major events chronicled in tapestry form. Even the Old and New Testaments of the Bible have been the inspiration for large and detailed woven tapestry art. Once a major art form, large tapestries were owned by the wealthy and the aristocracy, with castles often decorated with dozens or even hundreds of these creations. The Parthenon was even believed to have tapestries decorating its walls.

Religious and romantic stories were told in tapestries in the 13th and 14th centuries in what’s known as gothic art. While beauty and artistry were important, the story itself was the focus, with religious symbolism and spirituality being the most common themes of the stories. Woven artwork had gone into a lull for several centuries, with large pieces of art done chiefly by painters and by embroidery. But the gothic art movement brought woven art back into the mainstream.

Renaissance art, on the other hand, that became popular in the 16th century thanks to artist like Raphael, focused on image and illusion more than storytelling. The woven art of tapestries followed the flow of other art into pictorial images in the Renaissance style.

Paris was the tapestry capital of the world, with France being the top and most important tapestry producer from the Middle Ages to the Hundred Years War. During the war, many tapestries were lost to looting and pillaging, or burned for the precious metals they contained in the silver and gold thread.

Most of the ancient tapestries still available today are dated from the 16th century Renaissance period through the 19th century, and are usually made from Italian silk, Picardy wool and silver and gold threads from Cyprus. These original tapestries are chiefly found in homes of the royalty or very wealthy, or in museums, as they command high prices and are extremely valuable. True tapestries are easily identified by a look at the back side of the pieces to see the weaving.

Reproduction tapestries, while they sound like little more than copies or fakes, command high prices as well and can still be valuable to collectors who want the original art in a similar form. Those tapestries that can’t be accurately copied in a true jacquard weave are done by a method of hand-silk-screening and painting that can take years. They are often more expensive that woven reproductions because of the time and effort involved. To get a truly detailed reproduction of a large tapestry, creating the perfect hand-made screen can take 1 to 4 years.

Important considerations when shopping for tapestries is to make sure you understand whether the tapestry is an original or a reproduction. Whether it’s woven or tediously hand-painted is an important point that can greatly affect the value of the tapestry, as well.

Originally posted 2008-10-13 14:00:01. Republished by Blog Post Promoter

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Dealers -> Textiles-Linens -> Tapestries

A wall tapestry can be a beautiful addition to your home, whether it’s a reproduction or an antique piece. A tapestry is much more than a woven cloth that covers the wall, it’s often a piece of history that tells a story, and speaks about the period in which it was created. The weaving used to make tapestries was considered one of the major art forms in ancient times, and while many new, modern tapestries are done with machines and focus more on the design than the craftsmanship, you can still find reproductions that are done painstakingly by hand in much the same way original tapestries were created.

Entire stories were told in wall tapestry in times past. Homer’s works were represented in tapestry form, as were other important books, stories from the Bible, and major historical events. Castles and compounds often displayed tapestries, as the aristocracy often owned hundreds of them. Tapestries were status symbols, speaking of wealth and affluence, and their impressive size made them perfect for covered stone castle walls and hallways.

The subject of wall tapestry changed with the times, moving from telling stories of battles and religion to more romantic subjects around the year 1200, during the Gothic period. This revived wall tapestry as an art form after a period of very little creation aside from painting and some needlework. Romantic stories were depicted in each tapestry, with each piece telling a full story. During the Renaissance, the subjects of wall tapestries changed again along with the paintings of the era, to symbolism and imagery. There was less focus on the need to tell a story, but instead they were designed to make an impression.

Most of the best tapestries were produced in Paris from the Middle Ages onward. But during the Hundred Years War, many were destroyed, either from the simple destruction of the violent time, or because many were made with thread that contained precious metals like silver and gold, so the tapestries were burned to retrieve the valuable metals within them. A wall tapestry you might find today would most likely only date back to the Renaissance. Most of these valuable pieces of art are owned by the wealthy, or they’re house in museums. It’s unlikely that the common collector could afford such a piece.

Fortunately, a wall tapestry reproduction is still an amazing piece of art, so much so that they’re quite expensive also, though only a fraction of what a real antique wall tapestry would cost. The only ones worth considering are the ones that are handmade and are true to the original. While you can buy “tapestries” today that are relatively cheap, they’re turned out quickly and lose much of the charm of the original. A true reproduction wall tapestry contains such craftsmanship, it can take up to 4 years to complete. When you find a wall tapestry online ask to see a picture of the back—the design on the back will show you whether it’s truly a handmade piece.

Originally posted 2008-11-14 05:18:33. Republished by Blog Post Promoter

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